Explore what it means to be human today by studying what it meant to be a hero in ancient Greek times. In this introduction to ancient Greek culture and literature, learners will experience, in English translation, some of the most beautiful works of ancient Greek literature and song-making spanning over a thousand years from the 8th century BCE through the 3rd century CE: the Homeric Iliad and Odyssey ; tragedies of Aeschylus, Sophocles, and Euripides; songs of Sappho and Pindar; dialogues of Plato, and On Heroes by Philostratus. All of the resources are free and designed to be equally accessible and transformative for a wide audience. You will gain access to a supportive learning community led by Professor Gregory Nagy and his Board of Readers, who model techniques for "reading out" of ancient texts. This approach allows readers with little or even no experience in the subject matter to begin seeing this literature as an exquisite, perfected system of communication. No previous knowledge of Greek history, literature, or language is required. This is a project for students of any age, culture, and geographic location, and its profoundly humanistic message can be easily received without previous acquaintance with Western Classical literature.

Ludwig van Beethoven’s 9th Symphony premiered in Vienna in 1824, and continues to be one of the most popular symphonies in the repertoire. The monumental symphony’s size and complexity stretches traditional instrumental forms to the breaking point, and its famous choral finale changed our view of orchestral music forever. Harvard’s Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through all four movements of Beethoven’s 9th Symphony, highlighting aspects of symphonic form, describing Beethoven’s composition process, the rehearsals and premiere performance, and the work’s continued relevance today. You will learn the basics of musical form and analysis, the genres and styles used and the circumstances of this symphony’s first performance and subsequent history. Learners in this course need not have any prior musical experience. Additional First Nights Modules: Monteverdi's L'Orfeo and the Birth of Opera Handel’s Messiah and Baroque Oratorio Beethoven's "Ninth Symphony" Berlioz’s Symphonie Fantastique and Program Music in the 19th Century Igor Stravinsky’s The Rite of Spring: Modernism, Ballet, and Riots HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code , which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs. HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more. Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact [email protected] and/or report your experience through the edX contact form .

Course videos are presented in Mandarin with English subtitles. China's architectural history spans thousands of years. In this course, we will explore the ancient cities of Chang'an of Han, Luoyang of Northern Wei, Chang'an and Luoyang of Sui and Tang, Kaifeng of Song and Dadu of Yuan, and delve into the history of the awe-inspiring ancient buildings that still grace the landscape of these bustling cities. The course will cover construction and aesthetics of these imperial palaces, religious structures, pagodas, tombs and gardens. We will study the basis of Chinese architecture, the wood framed building, as well as the brick and stone construction of many Buddhist pagodas and tombs. The course will culminate in an examination of the Summer Palace in Beijing, the ancient royal garden at the Chengde Mountain Resort, and the private gardens of the Ming and Qing dynasties. Two seminal textbooks on the Song and Qing dynasties are included in the course in electronic form.

Learn about the inspirational work of the leading European painters from approximately 1400 to 1800, and explore the issues expressed through the art of painting. Included in this broad time frame are the works of Leonardo da Vinci, Caravaggio, Velázquez, Rembrandt, Vermeer and Goya. Painters during this period were concerned with ideas such as the pursuit of beauty, the pleasures and pains associated with love, the demonstration of power and status, or the relationship of men and women to the divinity and to nature. In paintings from this period, we find traces of the emergence of the modern mind set, and perspective on issues such as the respective roles of women and men in the world. This course focuses on images of paintings by the artists listed in the course syllabus. The discussions that will take place in the “course forum” will allow us to touch upon a broader range of issues.

If you are unable to access Youtube, the introductory video is available via XuetangX. Connect with the course team and fellow learners on Facebook at https://www.facebook.com/HKUxArchitecture This 5-week introductory course is for those who would like to explore and be fascinated by vernacular architecture – the subject and study of everyday buildings, landscapes and sites which are not designed by professional architects but “ordinary” practitioners. It explores vernacular architecture as an expression of local identity, indigenous traditions, and assimilation of different cultures. This course covers topics such as native building materials, the interaction between people, culture and the vernacular, as well as the vernacular landscape. It has a special emphasis on the built heritage of Asia, which allows students to take a closer look at examples in diverse locales, such as the leather yurts in Mongolia, timber houses in Japan, brick, mud and straw houses in India, reinforced concrete fortified towers and grey brick courtyard houses in Southern China including Macau and Hong Kong. Designed to promote discussion and dialogue while contributing to the discourse surrounding the concept of the vernacular, this course challenges the perception of tradition and stimulates a deeper analysis of one’s local environment. Indeed, we are keen to hear about how you link your new understanding to vernacular architecture in your neighborhood. Those who wish to extend their experience and exploration please also join our subsequent 5-week course The Search for Vernacular Architecture of Asia, Part 2 in Summer 2015. 本入门课程为期5周，适合本土建筑爱好者。本土建筑的研究对象是普通日常建筑、景观以及场所。它们并非出自建筑师之手，而是由普通人自己建造。在本课程中，我们将民居建筑视作不同地区的“社区认同”和“本地传统”以及不同文化融合的一种表达方式。 课程内容包括建筑技术和建筑材料、人与文化和传统、 以及本土建筑与景观。本课程以亚洲建筑文化遗产为实例，供学生深入学习，其中包括蒙古地区的蒙古包、日本的木结构房屋、印度的土屋、中国南方澳门与香港一带以钢筋混凝土为建筑材料的塔楼和灰砖庭院。 本课程旨在以讨论和对话的方式研究亚洲的本土建筑，推动本土概念的发展。在此之上，本课程反思了“传统”这个概念，使我们能够更加深入地分析自身所处的环境。我们期待能够听到一些您对本土建筑的新理解。 感兴趣的学生可以参加《探索亚洲地区的民居建筑，第2部分》。

We can read a city in a number of ways: in its plan, in the buildings that make its streets and public spaces, in the skyline. We can ask, what are the buildings or spaces saying? How do they say it? How does it all stitch together? In this architecture course you will learn how to “read” Rome, an ancient city, reborn in the fifteenth century and reshaped substantially in the following three centuries. You will discover how Renaissance and Baroque Rome’s urban form, art, and architecture projected the city’s image of itself to its citizens (urbi) and the world (orbi). Popes, architects, scholars and sculptors invested in Rome a variety of narratives that strove to explain the city’s history, convince its citizens and visitors of its harmony, and exhort society at large to share in and shape its destiny. The city that resulted became a destination for pilgrims and Grand Tourists, and still is today. The Meaning of Rome: The Renaissance and Baroque City is organized around three themes—the city and memory, the city as reliquary, and the city as theater. In uncovering some of the meaning of Rome, you will be equipped with the skills necessary to consider how our own cities and communities are, or could be, meaningful. You will come away from this course not only better informed about the cities of the past, but also better equipped to think about the cities of the present and the future. Students who successfully complete all of the required course assignments will have the opportunity to compile a Digication ePortfolio and earn a digital badge.

Freedom of expression is a human right. Learn from the experts at Amnesty International how to claim and defend your rights in this human rights course. This short course will equip you with the knowledge to understand and claim your right to freedom of expression, and the skills and confidence to take action to defend it. You will be challenged to think critically and devise effective actions to defend the human rights of others. You will be able to adapt the human rights of freedom of expression, association and assembly to real life situations and come face-to-face with human rights activists on the front line of human rights defense. This is Amnesty International’s first human rights MOOC. Be prepared for active, fast-paced learning, connecting with course participants across the world to bridge the gap between theory and practice and turn yourself into an agent of change. You will explore human rights through case studies, including real cases of individuals at risk. You will discover how actions are developed to defend people against human rights violations. Course facilitators and moderators from across the human rights movement will listen, guide and interact with participants. Consider signing up with a friend or group to take part in optional group activities together. Join the conversation on the Amnesty International Human Rights Education Facebook page. No previous knowledge is needed. Register today to take part in a global human rights experience.

We often think that theology divides us since, we assume, theology is based on the beliefs of particular communities. At the same time, while we’re witnessing significant shifts in the demographics of religious belonging, interest in questions of a theological nature remains high. Humans have long looked to their own experiences for insight into God and God’s ways. This heritage awaits your exploration: writings by Jews, Christians, and Muslims that take up a range of human experiences (friendship, life in society, suffering, pleasure, nature’s relation to us) as theologically productive. We enrich this heritage with modern knowledge--from biology, psychology, philosophy--in viewing the human being as object of theological reflection. In this sense, you’ll discover theology as a scholarly conversation binding together all inquiring minds.

This class engages students in a transdisciplinary conversation about representations of HIV/AIDS: in science writing, journalism, visual art, literature, drama, and popular culture. We believe that scientists and cultural critics can learn valuable lessons from one another, even as they create their own responses to HIV/AIDS. Today, over 30 years since the first scientific reports of HIV/AIDS, the pandemic remains a major health concern throughout the world. But, rays of hope have led to speculation that an AIDS-free generation may be possible. In such a timely moment, it is essential for us to connect across the "two cultures" as we consider the social and scientific implications of HIV/AIDS. Courses offered via edX.org are not eligible for academic credit from Davidson College. A passing score in a DavidsonX course(s) will only be eligible for a verified certificate generated by edX.org.

Have you ever wondered about how museum, library, and other kinds of historical or scientific collections all come together? Or how and why curators, historians, archivists, and preservationists do what they do? In Tangible Things , you will discover how material objects have shaped academic disciplines and reinforced or challenged boundaries between people. This course will draw on some of the most fascinating items housed at Harvard University, highlighting several to give you a sense of the power of learning through tangible things. By “stepping onto” the storied campus, you and your fellow learners can explore Harvard’s astonishing array of tangible things—books and manuscripts, art works, scientific specimens, ethnographic artifacts, and historical relics of all sorts. The University not only owns a Gutenberg bible, but it also houses in its collections Turkish sun dials, a Chinese crystal ball, a divination basket from Angola, and nineteenth-century “spirit writing” chalked on a child-sized slate. Tucked away in storage cabinets or hidden in closets and the backrooms of its museums and libraries are Henry David Thoreau’s pencil, a life mask of Abraham Lincoln, and chemicals captured from a Confederate ship. The Art Museums not only care for masterpieces of Renaissance painting but also for a silver-encrusted cup made from a coconut. The Natural History Museum not only preserves dinosaur bones and a fish robot but an intact Mexican tortilla more than a century old. In the first section of the course, we will consider how a statue, a fish, and a gingham gown have contributed to Harvard’s history, and you will learn the value of stopping to look at the things around you. In the next section, we will explore some of the ways people have brought things together into purposeful collections to preserve memory, promote commerce, and define culture. Finally, we will consider methods of rearranging objects to create new ways of thinking about nature, time, and ordinary work. Along the way, you will discover new ways of looking at, organizing, and interpreting tangible things in your own environment. HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code , which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs. HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more. Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact [email protected] and/or report your experience through the edX contact form .