In this course, part of the Public Library Management Professional Certificate program, you’ll learn how to use attractive graphic design, public relations outreach with the media, and paid marketing to better communicate about your library and, in the case of social media, build better conversations and relationships with patrons. Solutions at multiple budget points (e.g., DIY software versus working with a designer) will also be discussed.

While Italian opera set the standard in the Baroque era, German composer George Frederic Handel quickly gained popularity for his oratorios, which put operatic techniques to work in the service of sacred music. Handel's Messiah premiered in Dublin on April 13, 1742, and remains popular to this day. Harvard's Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through Messiah's musical highlights, while detailing Handel's composition process, the preparations and rehearsals, and the premiere performance. Learners in this module of First Nights need not have any prior musical experience. In this unit, you will learn the basics of musical form and analysis, the genres and styles used in Messiah , the circumstances of its first performance, and its subsequent history. Additional First Nights Modules: Monteverdi's L'Orfeo and the Birth of Opera Handel's Messiah and Baroque Oratorio Beethoven's "Ninth Symphony" Berlioz's Symphonie Fantastique and Program Music in the 19th Century Igor Stravinsky's The Rite of Spring: Modernism, Ballet, and Riots

Learn about the inspirational work of the leading European painters from approximately 1400 to 1800, and explore the issues expressed through the art of painting. Included in this broad time frame are the works of Leonardo da Vinci, Caravaggio, Velázquez, Rembrandt, Vermeer and Goya. Painters during this period were concerned with ideas such as the pursuit of beauty, the pleasures and pains associated with love, the demonstration of power and status, or the relationship of men and women to the divinity and to nature. In paintings from this period, we find traces of the emergence of the modern mind set, and perspective on issues such as the respective roles of women and men in the world. This course focuses on images of paintings by the artists listed in the course syllabus. The discussions that will take place in the “course forum” will allow us to touch upon a broader range of issues.

This course, produced with The Great Courses, will look at four key themes in the History of America as presented by Dr. Richard Kurin, Undersecretary for History, Art and Culture at the Smithsonian. American Icons – from the Star Spangled Banner to the Statue of Liberty – how have these become iconic symbols for Americans? What do these icons represent in a global context? Rights and Liberties – from the Declaration of Independence to the Greensboro Lunch Counter, how have Americans defined, and continue to define, their rights and governance? America the Beautiful – From evidence of the continent’s first inhabitants to the conservation efforts of the Smithsonian’s scientists, how have the American people – both native and settler – envisioned, explored, worked and protected the land and its resources? Spirit of Invention – from the Model T to the space program, how have America’s pioneering inventions changed the world? In this course you will gain a unique perspective on American history and culture by learning the stories behind objects that were, and continue to be, an essential part of U.S. history. Most importantly, you will reflect on what objects have personal meaning to you, and the role that symbolic objects play in your own histories. This course is adapted from the video lecture series produced by Smithsonian and The Great Courses, Experiencing America: A Smithsonian Tour Through History.

We can read a city in a number of ways: in its plan, in the buildings that make its streets and public spaces, in the skyline. We can ask, what are the buildings or spaces saying? How do they say it? How does it all stitch together? In this architecture course you will learn how to “read” Rome, an ancient city, reborn in the fifteenth century and reshaped substantially in the following three centuries. You will discover how Renaissance and Baroque Rome’s urban form, art, and architecture projected the city’s image of itself to its citizens (urbi) and the world (orbi). Popes, architects, scholars and sculptors invested in Rome a variety of narratives that strove to explain the city’s history, convince its citizens and visitors of its harmony, and exhort society at large to share in and shape its destiny. The city that resulted became a destination for pilgrims and Grand Tourists, and still is today. The Meaning of Rome: The Renaissance and Baroque City is organized around three themes—the city and memory, the city as reliquary, and the city as theater. In uncovering some of the meaning of Rome, you will be equipped with the skills necessary to consider how our own cities and communities are, or could be, meaningful. You will come away from this course not only better informed about the cities of the past, but also better equipped to think about the cities of the present and the future. Students who successfully complete all of the required course assignments will have the opportunity to compile a Digication ePortfolio and earn a digital badge.

Ludwig van Beethoven’s 9th Symphony premiered in Vienna in 1824, and continues to be one of the most popular symphonies in the repertoire. The monumental symphony’s size and complexity stretches traditional instrumental forms to the breaking point, and its famous choral finale changed our view of orchestral music forever. Harvard’s Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through all four movements of Beethoven’s 9th Symphony, highlighting aspects of symphonic form, describing Beethoven’s composition process, the rehearsals and premiere performance, and the work’s continued relevance today. You will learn the basics of musical form and analysis, the genres and styles used and the circumstances of this symphony’s first performance and subsequent history. Learners in this course need not have any prior musical experience. Additional First Nights Modules: Monteverdi's L'Orfeo and the Birth of Opera Handel’s Messiah and Baroque Oratorio Beethoven's "Ninth Symphony" Berlioz’s Symphonie Fantastique and Program Music in the 19th Century Igor Stravinsky’s The Rite of Spring: Modernism, Ballet, and Riots HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code , which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs. HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more. Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact [email protected] and/or report your experience through the edX contact form .

We often think that theology divides us since, we assume, theology is based on the beliefs of particular communities. At the same time, while we’re witnessing significant shifts in the demographics of religious belonging, interest in questions of a theological nature remains high. Humans have long looked to their own experiences for insight into God and God’s ways. This heritage awaits your exploration: writings by Jews, Christians, and Muslims that take up a range of human experiences (friendship, life in society, suffering, pleasure, nature’s relation to us) as theologically productive. We enrich this heritage with modern knowledge--from biology, psychology, philosophy--in viewing the human being as object of theological reflection. In this sense, you’ll discover theology as a scholarly conversation binding together all inquiring minds.

This class engages students in a transdisciplinary conversation about representations of HIV/AIDS: in science writing, journalism, visual art, literature, drama, and popular culture. We believe that scientists and cultural critics can learn valuable lessons from one another, even as they create their own responses to HIV/AIDS. Today, over 30 years since the first scientific reports of HIV/AIDS, the pandemic remains a major health concern throughout the world. But, rays of hope have led to speculation that an AIDS-free generation may be possible. In such a timely moment, it is essential for us to connect across the "two cultures" as we consider the social and scientific implications of HIV/AIDS. Courses offered via edX.org are not eligible for academic credit from Davidson College. A passing score in a DavidsonX course(s) will only be eligible for a verified certificate generated by edX.org.

Have you ever wondered about how museum, library, and other kinds of historical or scientific collections all come together? Or how and why curators, historians, archivists, and preservationists do what they do? In Tangible Things , you will discover how material objects have shaped academic disciplines and reinforced or challenged boundaries between people. This course will draw on some of the most fascinating items housed at Harvard University, highlighting several to give you a sense of the power of learning through tangible things. By “stepping onto” the storied campus, you and your fellow learners can explore Harvard’s astonishing array of tangible things—books and manuscripts, art works, scientific specimens, ethnographic artifacts, and historical relics of all sorts. The University not only owns a Gutenberg bible, but it also houses in its collections Turkish sun dials, a Chinese crystal ball, a divination basket from Angola, and nineteenth-century “spirit writing” chalked on a child-sized slate. Tucked away in storage cabinets or hidden in closets and the backrooms of its museums and libraries are Henry David Thoreau’s pencil, a life mask of Abraham Lincoln, and chemicals captured from a Confederate ship. The Art Museums not only care for masterpieces of Renaissance painting but also for a silver-encrusted cup made from a coconut. The Natural History Museum not only preserves dinosaur bones and a fish robot but an intact Mexican tortilla more than a century old. In the first section of the course, we will consider how a statue, a fish, and a gingham gown have contributed to Harvard’s history, and you will learn the value of stopping to look at the things around you. In the next section, we will explore some of the ways people have brought things together into purposeful collections to preserve memory, promote commerce, and define culture. Finally, we will consider methods of rearranging objects to create new ways of thinking about nature, time, and ordinary work. Along the way, you will discover new ways of looking at, organizing, and interpreting tangible things in your own environment. HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code , which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs. HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more. Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact [email protected] and/or report your experience through the edX contact form .

This course, part of the Public Library Management Professional Certificate program, explores strategies for developing effective grant proposals and for engaging the community in crowdfunding campaigns. In this course, you will mock up a crowdfunding campaign and create a grant proposal for a local or state-level funding source.