Igor Stravinsky’s The Rite of Spring premiered in Paris in 1913, sparking a riot and screaming so loud that the dancers could not hear the orchestra, and the choreographer had to shout numbers from backstage to keep the dancers on beat. The Rite of Spring continues to challenge listeners. According to Stravinsky, The Rite of Spring was intended to portray “the surge of spring, the magnificent upsurge of nature reborn.” As you will see, Stravinsky’s description is almost frighteningly apt! Harvard’s Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through The Rite of Spring , highlighting not only the contributions of Stravinsky, the composer, but also those of his collaborators. Professor Kelly takes learners through the ballet’s development, rehearsals, and finally, premiere performance, and he explores just how and why The Rite of Spring challenged (and to a certain extent, continues to challenge) its listeners. You will learn about the ballet’s innovative choreography, the basics of 20th-century orchestral form and technique, and the circumstances of this ballet’s first performance and subsequent history. Learners in this course need not have any prior musical experience.

Have you created an outline and now feel prepared to start writing your novel? Or have you started a novel draft only to find your interest or confidence waning? In this course, the international best-selling authors and professors from The University of British Columbia’s renowned MFA program introduce the essential fiction craft toolbox for writers struggling with the common hurdles of first drafts. While ideas and inspiration are often enough to ignite interest in writing a novel, writers can quickly lose confidence, especially when their best efforts have inadvertently produced flat characters, waning conflicts, tangled plots and weak dialogue. Reaching your goal of writing (and perhaps, publishing) a novel requires an understanding of fiction’s deeper mechanics and a familiarity with the specific craft elements that will help translate your creativity and imagination into compelling paragraphs, scenes and chapters. Through writing exercises aimed at developing new skills, concrete examples from published novels, feedback and discussion with fellow writers and opportunities to identify and strengthen weaknesses in their own projects, learners will broaden their knowledge of fiction craft as they explore creating memorable characters, the art of scene design, tactics for managing unwieldy plots and steps for writing layered and meaningful dialogue. Whether you’re beginning your novel draft or nearing the end, this course is a unique opportunity to learn the essentials of strong fiction writing from award-winning authors sharing their proven methods and approaches. The course is recommended for professional and aspiring writers, writing groups, those participating in NaNoWriMo, teachers and anyone who has a novel in progress.

If you are unable to access Youtube, the introductory video is available via XuetangX. Connect with the course team and fellow learners on Facebook at https://www.facebook.com/HKUxArchitecture This 5-week introductory course is for those who would like to explore and be fascinated by vernacular architecture – the subject and study of everyday buildings, landscapes and sites which are not designed by professional architects but “ordinary” practitioners. It explores vernacular architecture as an expression of local identity, indigenous traditions, and assimilation of different cultures. This course covers topics such as native building materials, the interaction between people, culture and the vernacular, as well as the vernacular landscape. It has a special emphasis on the built heritage of Asia, which allows students to take a closer look at examples in diverse locales, such as the leather yurts in Mongolia, timber houses in Japan, brick, mud and straw houses in India, reinforced concrete fortified towers and grey brick courtyard houses in Southern China including Macau and Hong Kong. Designed to promote discussion and dialogue while contributing to the discourse surrounding the concept of the vernacular, this course challenges the perception of tradition and stimulates a deeper analysis of one’s local environment. Indeed, we are keen to hear about how you link your new understanding to vernacular architecture in your neighborhood. Those who wish to extend their experience and exploration please also join our subsequent 5-week course The Search for Vernacular Architecture of Asia, Part 2 in Summer 2015. 本入门课程为期5周，适合本土建筑爱好者。本土建筑的研究对象是普通日常建筑、景观以及场所。它们并非出自建筑师之手，而是由普通人自己建造。在本课程中，我们将民居建筑视作不同地区的“社区认同”和“本地传统”以及不同文化融合的一种表达方式。 课程内容包括建筑技术和建筑材料、人与文化和传统、 以及本土建筑与景观。本课程以亚洲建筑文化遗产为实例，供学生深入学习，其中包括蒙古地区的蒙古包、日本的木结构房屋、印度的土屋、中国南方澳门与香港一带以钢筋混凝土为建筑材料的塔楼和灰砖庭院。 本课程旨在以讨论和对话的方式研究亚洲的本土建筑，推动本土概念的发展。在此之上，本课程反思了“传统”这个概念，使我们能够更加深入地分析自身所处的环境。我们期待能够听到一些您对本土建筑的新理解。 感兴趣的学生可以参加《探索亚洲地区的民居建筑，第2部分》。

This literature course, the sixth module in the Poetry in America series, explores a diverse array of American Modernist poets and poems.While “Modernism” is notoriously difficult to define, the movement spanned the decades from the 1910s to the mid-1940s, and the poetry of this period marked a clear break from past traditions and past forms. Throughout this module, we will encounter such poets as Robert Frost, T.S. Eliot, Marianne Moore, Langston Hughes, William Carlos Williams, Edna St. Vincent Millay, Claude McKay, Dorothy Parker, and Wallace Stevens. We will study how these poets employed the language of rejection and revolution, of making and remaking, of artistic appropriation and cultural emancipation. Traveling to the homes and workplaces of Robert Frost and Wallace Stevens; to the Poetry Foundation in Chicago, where the institution of American Modernism was born; and even exploring the River Thames in the London of Eliot's THE WASTE LAND, we will see the sites that witnessed—and cultivated—the rise of American Modernism. Led by Harvard Professor Elisa New, the Poetry in America series surveys nearly 400 years of American poetry. Through video lectures, archival images and texts, expeditions to historic sites, interpretive seminars with large and small groups, interviews with poets and scholars, and conversations about poems with distinguished Americans, Poetry in America takes learners on a journey through the literature of a nation. Along the way, distinguished guests includingElena Kagan, Henry Louis Gates, Eve Ensler, John McCain, Andrea Mitchell, Michael Pollan, Drew Faust, Tony Kushner, and Nas, among others, bring fresh perspectives to the study of American poetry.

While Italian opera set the standard in the Baroque era, German composer George Frederic Handel quickly gained popularity for his oratorios, which put operatic techniques to work in the service of sacred music. Handel's Messiah premiered in Dublin on April 13, 1742, and remains popular to this day. Harvard's Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through Messiah's musical highlights, while detailing Handel's composition process, the preparations and rehearsals, and the premiere performance. Learners in this module of First Nights need not have any prior musical experience. In this unit, you will learn the basics of musical form and analysis, the genres and styles used in Messiah , the circumstances of its first performance, and its subsequent history. Additional First Nights Modules: Monteverdi's L'Orfeo and the Birth of Opera Handel's Messiah and Baroque Oratorio Beethoven's "Ninth Symphony" Berlioz's Symphonie Fantastique and Program Music in the 19th Century Igor Stravinsky's The Rite of Spring: Modernism, Ballet, and Riots

We often think that theology divides us since, we assume, theology is based on the beliefs of particular communities. At the same time, while we’re witnessing significant shifts in the demographics of religious belonging, interest in questions of a theological nature remains high. Humans have long looked to their own experiences for insight into God and God’s ways. This heritage awaits your exploration: writings by Jews, Christians, and Muslims that take up a range of human experiences (friendship, life in society, suffering, pleasure, nature’s relation to us) as theologically productive. We enrich this heritage with modern knowledge--from biology, psychology, philosophy--in viewing the human being as object of theological reflection. In this sense, you’ll discover theology as a scholarly conversation binding together all inquiring minds.

This class engages students in a transdisciplinary conversation about representations of HIV/AIDS: in science writing, journalism, visual art, literature, drama, and popular culture. We believe that scientists and cultural critics can learn valuable lessons from one another, even as they create their own responses to HIV/AIDS. Today, over 30 years since the first scientific reports of HIV/AIDS, the pandemic remains a major health concern throughout the world. But, rays of hope have led to speculation that an AIDS-free generation may be possible. In such a timely moment, it is essential for us to connect across the "two cultures" as we consider the social and scientific implications of HIV/AIDS. Courses offered via edX.org are not eligible for academic credit from Davidson College. A passing score in a DavidsonX course(s) will only be eligible for a verified certificate generated by edX.org.

Have you ever wondered about how museum, library, and other kinds of historical or scientific collections all come together? Or how and why curators, historians, archivists, and preservationists do what they do? In Tangible Things , you will discover how material objects have shaped academic disciplines and reinforced or challenged boundaries between people. This course will draw on some of the most fascinating items housed at Harvard University, highlighting several to give you a sense of the power of learning through tangible things. By “stepping onto” the storied campus, you and your fellow learners can explore Harvard’s astonishing array of tangible things—books and manuscripts, art works, scientific specimens, ethnographic artifacts, and historical relics of all sorts. The University not only owns a Gutenberg bible, but it also houses in its collections Turkish sun dials, a Chinese crystal ball, a divination basket from Angola, and nineteenth-century “spirit writing” chalked on a child-sized slate. Tucked away in storage cabinets or hidden in closets and the backrooms of its museums and libraries are Henry David Thoreau’s pencil, a life mask of Abraham Lincoln, and chemicals captured from a Confederate ship. The Art Museums not only care for masterpieces of Renaissance painting but also for a silver-encrusted cup made from a coconut. The Natural History Museum not only preserves dinosaur bones and a fish robot but an intact Mexican tortilla more than a century old. In the first section of the course, we will consider how a statue, a fish, and a gingham gown have contributed to Harvard’s history, and you will learn the value of stopping to look at the things around you. In the next section, we will explore some of the ways people have brought things together into purposeful collections to preserve memory, promote commerce, and define culture. Finally, we will consider methods of rearranging objects to create new ways of thinking about nature, time, and ordinary work. Along the way, you will discover new ways of looking at, organizing, and interpreting tangible things in your own environment. HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code , which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs. HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more. Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact [email protected] and/or report your experience through the edX contact form .

This course, part of the Public Library Management Professional Certificate program, explores strategies for developing effective grant proposals and for engaging the community in crowdfunding campaigns. In this course, you will mock up a crowdfunding campaign and create a grant proposal for a local or state-level funding source.

This module, the third installment of the multi-part _Poetry in America _series, focuses on the poetry of Walt Whitman, a quintessentially American writer whose work continues to bear heavily upon the American poetic tradition. We will explore Whitman’s relationship to the City, the Self, and the Body through his life and poetry. Distinguished guests in this module include Tour de France champion Greg LeMond, Supreme Court Justice Elena Kagan, and Whitman scholar Karen Karbiener. Led by Harvard Professor Elisa New, Poetry in America surveys nearly 400 years of American poetry. Through video lectures, archival images and texts, expeditions to historic sites, interpretive seminars with large and small groups, interviews with poets and scholars, and conversations about poems with distinguished Americans, Poetry in America embarks on a journey through the literature of a nation. Distinguished guests, including President Bill Clinton, Elena Kagan, Henry Louis Gates, Eve Ensler, John McCain, Andrea Mitchell, Michael Pollan, Drew Faust, Tony Kushner, and Nas, among others, bring fresh perspectives to the study of American Poetry. HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more.