Nada é mais FRUSTRANTE do que gravar uma música e ela soar xôxa, sem graça. Aquela sensação horrível de que existe um abismo que separa seu som das grandes produções. Afinal, o que explica as músicas do mercado soarem tão melhores? Só pode ser o equipamento, a estrutura do estúdio, a qualidade dos instrumentos... Certo? ERRADO! Mesmo tracks gravadas em um estúdio pequeno, sem grande orçamento envolvido, podem soar absolutamente profissionais. O "segredo" é o conhecimento e o ouvido do técnico que faz aquela mix. Para ter o mesmo resultado, basta ter a receita certa a seguir. Eu sou o Guilherme Cysne, trabalho com didática de áudio há quase 10 anos, atualmente minha plataforma online possui mais de 800 alunos e eu ajudo essa galera a chegar num resultado realmente PRÓ! Umas ferramentas principais, que mais vão salvar sua mixagem é a EQUALIZAÇÃO. Eu sou autor do Turbo EQ, este curso que você está prestes a entrar e nele eu vou revelar os "pulos do gato" que todo grande profissional aplica para fazer uma música soar poderosa! Acredite, ao concluir este curso você terá entendido o equalizador, todas suas manipulações de parâmetros, as técnicas matadoras, terá treinado o seu ouvido para perceber o que você nem imagina que consegue. Verá também a equalização na íntegra de cada elemento de uma música. Resumindo, da teoria à prática, do básico ao avançado, você irá TURBINAR sua habilidade de equalização. Prepare-se para se impressionar com velocidade que suas músicas vão melhorar. Realize sua compra agora mesmo. Ela é rápida, segura e em instantes você já estará transformando seu resultado.

What is this course about? This course is going to show you how to create fantastic sounding audiobooks using the free Audacity software. This course shows you how to build a home studio on a budget for audiobook creation, how to choose the perfect microphone suitable for your voice and your budget and also how to record audiobooks into Audacity with the perfect metering levels and then finally how to master and export your audiobook file after adding compression, EQ and breath removal effects. Who is this course for? This course is for anyone and everyone who wants to create fantastic sounding audiobooks using the free Audacity software. This is going to help you sound professional and take your audiobook sound to the next level using only the free Audacity software and nothing else. If you are trying to sound better in your audiobooks, or looking to add that extra polish in your audiobooks, this course is going to help you achieve that using the free Audacity software. You are going to learn professional editing techniques, professional punch and roll techniques, optimum use of a audacity plug-ins and mastering your file so it sounds like it's been recorded in an expensive studio and these audiobooks will also meet ACX/audible requirements. Audacity is a very simple piece of recording software but if you know what you are doing it is really possible to sound like an expensive studio using the software and in this tutorial I am going to help you achieve just that with you audiobooks. Who should not take this course? If you are looking to use the Audacity free software for recording and editing music then this course is not for you because here we are only going to be talking about how to use the free Audacity software for recording and editing audiobooks.

Mini curso informal com os Básicos e Fundamentais sobre Acústica e Isolamento em Homestudios. Curso gratuito disponibilizado pela KV Music Beats para quem procura construir um estúdio caseiro, a um preço acessível. Direccionado para pequenos músicos, produtores, DJ's e artistas musicais no geral. Aulas simples e objetivas com ilustrações práticas e com um toque de boa disposição. Recomendações técnicas e abordagem de marcas e modelos de equipamentos e software para produção e gravação. Totalmente gratuito. Curso em manutenção até ao final de 2019.

Have trouble getting started with a track? Have you ever finished one? Do you find yourself listening to the same 8 bar loop over and over again, unable to make a full song out of it? Do you struggle to get the ideas in your head onto your computer? Do you find yourself lost and unfocused? That you don’t have enough time to spend creating music? Do you find yourself unable to write, arrange, and structure songs? If this sounds like you, join me in this video course as I create a song entirely from scratch with an easy to follow step-by-step method that will have you making tunes for life. In this video course, I share the easy to follow process that I use to create tracks that eliminates creative blocks and guarantees a finished song when you’re done with it. This video course is broken up into easy-to-follow sections so that you can choose to work alongside me or digest it all before diving in. After watching this course you’ll have the confidence and ability to get started with a song, arrange it, and then finish it. Over and over again. Let’s turn those 8 bar loops into 16, 32, and entire songs! --- Caution! While this is an introductory course for electronic music arrangement, this is not and introductory course for how to use a DAW (Digital Audio Workstation). If you are not comfortable in whatever software you use to make music, I recommend you do that first.

Invaluable information that can make your listening experience so much better... Welcome to Acoustics. This course is designed to provide an understanding of monitor placement, and the key concepts regarding studio monitors. Topics explored include principals of studio monitor and subwoofer placement, early reflections, RT60 time, and Speaker Boundary Interference Response. Delivered in 13 lectures in 4 sections, a keen student could complete the course in as little as one afternoon, but 1 week is recommended. At the end of each section, a quiz will recap on knowledge learnt. Aimed at small studios, the content is equally relevant for large studios, listening rooms and home theatres. Completion of this course will result in a better understanding of room acoustics, and a better sound from your studio monitors or home theatre system.

Want to know how to create that Bass House sound? Welcome to class. In this introduction, you will meet your instructor, Phillip. He will give you the rundown of what to expect and how to create sounds for Bass House. This course is straightforward, to the point and shows every step in great detail. Phillip is using FL Studio and Serum. While it is not required, if you have it, feel free to follow along. Video 2 - How to create the “Whomp” sound Ready to get started? Join Phillip as he starts with a basic tone and in just 3 minutes you'll hear it transform into an awesome “Whomp” sound. To get started you will learn how to set up 2 oscillators. You will then learn how to shape the sound by adjusting the LFO and how to use FM synthesis. Video 3 - 7th Bass It's time we add some beefy layers. In this video, Phillip shows you how to use different oscillator types and the effects of changing octaves and semi-tones. Phillips will show you how to apply a cut off filter and the modification of a standard LFO. You will also learn how a mono sound can have a stereo feel. Video 4 - Fuzzy Bass It's time to shake the walls and rattle the Earth. Phillip gives you his recipe for a pre-drop or transitional filler bass sound. You won't believe how simple it is to create a phat distorted bass line that is crystal clear. Video 5: - Wobble and Whomp Ever end up with too much high end? Phillip shows you an easy fix for balancing out the highs. The sound in today's lesson will be utilizing an FTT wavetable and an analog oscillator. He will show you how the oscillators interact and come together to create a totally pro sounding whomp that wobbles. By the end of this lesson, you will know how to modify the LFO and give it a slope as well as how to create movement in sound. Video 6 - How to Lead A good lead is an attention grabber to listeners. In this section, Phillip changes octaves on stock oscillator sounds and applies hyper dimension and other effects to create a powerful lead tone good for break down melodies. Video 7 - High-end Drop layer For this session, you may want to take some notes. There are several steps that you don't want to miss. You will be multi-routing the LFO to both oscillators, changing the chorus pitch, discovering the benefits of adding some noise and pilling on some subtle effects. Video 8 - Making your synth speak It’s not Halloween but Phillip is making some creepy talking sounds that will blow your mind. Shaping oscillators and using bit crusher distortion. It's time to learn how to make your synth sound speak. Wrapping up this lesson Phillip demonstrates how to widen the creepy talking synth sound. Video 9 - Lead 2 This is a fantastic session as Phillip shows you how to make a stellar lead sound. Using 2 oscillators and 8 unison voices you will hear the impact of increasing porta, the use of envelopes(A.D.S.R.) and how making small adjustments can smooth and shape your sound to perfection. You will also learn how to route different modifications to each oscillator and how to make the gliding down effect. Video 10 - Shift Lead Now you will be shaping the sound of the lead used for the Drop. Using the electric guitar oscillator and applying multi-effects phaser and flanger. Phillip also shows how to eliminate too much low end by adjusting octaves on the oscillators. Video 11 - Bass Pluck In this video, you will learn how to make a metallic rhythmic sounding bass pluck. Phillips also details how to remove any clicking noises, how to EQ in the mid-range and how to widen the sound by cloning and adding unison voices. Video 12 - Creating Reese Bass Reese Bass is the sound heard more in DnB. Phillip will show you how to create the sneaky creeper bass while explaining how to achieve the 2 most usable type of Reese bass. The high end and the darker low end. You will also hear different combinations and modifications to make the sound more diverse. Video 13 - Thump How to make deep thumping bass for your drop. Phillip demonstrates removing sustain and how to place the attack to get a plucking sound. You'll end up with a great distorted percussive thumpy bass sound. Video 14 - Drop Sequences Apply all you have learned and you are ready to step it up. Phillip will draw shapes in LFO 1, 2, and 3. Using one to create movement, one delayed to ad more control and shape, and 3 to create pulsations in the sound.

NI’s latest Maschine controller has elevated the device to whole new levels, transforming it into one of the most incredible platforms for making music. Whether producing or performing, the powerful hardware/software combo provides all the tools you need to create original beats or complete arrangements with ease. On this comprehensive course by certified trainer Rob Jones, you’ll learn every aspect of both the MK3 controller and Maschine software, as well as learn a multitude of techniques for creating many different styles of music with them. The tutorials begin with a detailed look at how to make patterns with the pads, working in the default pad mode as well as keyboard, chord and 16- velocity modes, explaining the various benefits of each one. Rob then teaches the ins and outs of soundslots in Maschine, by building a kit from scratch, before getting more advanced with Maschine’s Sampler, showing how to record and edit your own samples, slice up loops and lots more. There is also a thorough exploration of Maschine’s instruments and effects, with lessons on both Drum and Bass Synths, as well as the entire range of built-in effects. Additionally, the course includes tutorials covering more advanced signal routing and effects usage, teaching how to modulate parameters and set up send effects, and also how to use Maschine within DAWs like Ableton Live and Logic Pro. Signing up to the course provides immediate access to over 4 hours of tutorials, written notes, Maschine projects and 250MB of bonus samples. Before signing up, check out the free sample modules for an example of the tutorial content, which will have you mastering NI’s legendary music-making tool in no time!

Here's what some students are saying about this course: "This course is amazing. I've tried to learn Massive through tons of Youtube videos and other sources previously. This course taught me so much more in the first couple of sections than all of my previous efforts combined. Dylan takes time and goes through every single slider, knob, and setting and describes it's function and usefullness. I'm about half-way through the lectures, and I can't wait to get to Section 8 where the knowledge is applied." - J. DiPalmo "Dylan's experience on the topic and his ability to analyze and simplify complex materials, compounded with solid presentation skills, rich articulation and enthusiasm throughout this lecture series, resulted in a 5-star winner product." - A. Stergiopoulos "Great intro to sound design using massive.. Dylan does a great job explaining the concepts without drowning you in a sea of technical information." - F. Carvalho "I am new with sound production and this course inspired me to keep learning. Mr Bowes knows his stuff and he teach based on his own experience instead of just following the course outline. Thanks man." - Akmal -- This course is a comprehensive training course in the popular and powerful "Massive" VST plug-in from Native Instruments. Using 100% high-definition screencasts, you will learn the ins and outs of this software. In 1 week, you will be able to create huge, earth-shaking basses, lush pads, screaming leads, and even some crazy FX presets. I created this course because learning the principles of true sound design opened up a world of possibilities for my productions. Massive helped get me there. Now I want to show you how to get there too. You'll get access to 52 video tutorials . That's over 10 hours of content . Plus I include all of the preset files that we build in the course for free. All for a really great price with a 30 day money-back guarantee. You can't beat that. You know that you're sick of being a preset-picker. Learn sound design and get over that production plateau that has been making you hate your mediocre mixes. You will become a master of Massive. -- A few words about the methodology of this course. The first third of the course features lectures that describe elements of the software including the user interface, navigating presets, and how to control parameters. The middle portion of the course delves into sound design techniques and modulation assignments. The last third features in-depth tutorials about building specific sounds. If you already have a pretty good handle on Massive (or other soft synths) then you may want to skip the introductory portions. I designed this course to take the student from complete novice to expert. In other words, I wanted a student who has no experience with sound design or synthesizers to feel comfortable. However, I also provide lots of deep content for more experienced users. Plus, if you're like me, hearing someone else explain what I thought I already knew is still very helpful. All that to say, feel free to jump around in the chronology of the course. But don't take the fundamentals for granted. --

100% Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor. This is a general course for people with little or no experience producing electronic music. This course will cover all general aspects of music-making (key, pitch, form, harmony), through basic audio concepts (waveforms, frequency spectrum, etc.) ending at basic concepts of synthesis and MIDI. The class will be taught by J. Anthony Allen (Ph.D.), an instructor of music composition at Slam Academy, McNally Smith College of Music, and an Ableton Certified Trainer. All ages and skill levels are welcome. About J. Anthony Allen J. Anthony Allen (Ph.D. – Music / Ableton Certified Instructor) has been teaching private lessons since he was 15 years old. He has worn the hats of composer, producer, songwriter, engineer, sound designer, DJ, remix artist, multimedia artist, performer, inventor, and entrepreneur. Allen has several feature film credits as a composer, as well as commercials for television and web.

So you've written and produced your music, recorded your dialogue and created all your sfx - but how do you get these files in your game and make them behave the way you want? In game audio, creating the audio files themselves (sfx, music, etc) is a process but so is creating the systems that govern how and when these sounds are played. Instead of putting audio on a timeline, game audio professionals are usually asked to design audio events which are then programmed by either a technical sound designer or programmer on the development team to work with Unreal, Unity or another game engine. Wwise is one of the leading applications of audio middleware used to design these audio events. Able to be integrated with Unreal, Unity and most other available game engines, it gives the user the ability to implement all audio in a game space. Students will learn the basics of working within Wwise, general considerations for implementing audio and a musical score as well as the available tools for troubleshooting. During the course, students will implement all audio for the open source game Cube while walking through the educational resources created by the developer of Wwise, Audiokinetic. This class is designed for sound designers, composers, developers, and anyone else experienced in sound who wants a more holistic game audio skill set.