starstarstarstarstar_border
Learn from a professional that has successfully delivered over 36 movies to distributors. This brand new Udemy course familiarizes you to the world of Foley. This class shows you how to better engage your audience through the use of Foley. Foley your movie FAST. Improve your chances of a distribution deal for your movie. Know what is needed for overseas deals. Foley is one of the most overlooked processes in Filmmaking. Sound can make or break a film! A class that is a must for ALL filmmakers! Not only will you become an expert in Foley and sound design, you will also improve your overall production quality of all your VIDEO productions. Does your movie feel slow? Improve your Movie’s pace through sound design. I show you how I used SOUND DESIGN to resurrect a dead studio deal on a movie. You will finally understand what M&E is and what is needed for distribution deliverables. The class is MOBILE ready for ON-THE-GO. As well as the Udemy 30 day money back simple guarantee, you have my personal promise that you will be delighted in what I will show you. You will kicking yourself that you haven’t started doing these things! Every minute you delay is costing your MOVIE’S FUTURE… Enroll now! Nothing is kept secret – I reveal everything I do as a Foley artist and sound designer. You will have a lifetime access to the course and be updated on NEW lectures.
    starstarstarstar_half star_border
    Proporciona los conceptos y herramientas para el cumplimiento del rol del Asistente de Dirección, enlace entre el director, elenco de actores así como con el personal de producción. COMPETENCIAS A DESARROLLAR Desarrollar habilidades para manejar eficientemente los elementos que involucran el plan de rodaje para la puesta en escena de la producción audiovisual Desarrollar habilidades para efectuar el desglose del guión técnico de producción
      starstarstarstarstar_border
      Learn from a professional that has successfully delivered over 36 movies to distributors. This brand new Udemy course familiarizes you to the world of Foley. This class shows you how to better engage your audience through the use of Foley. Foley your movie FAST. Improve your chances of a distribution deal for your movie. Know what is needed for overseas deals. Foley is one of the most overlooked processes in Filmmaking. This is the light version of the more complete course. The MASTER course is available on Udemy. Check that class out as well Sound can make or break a film! A class that is a must for ALL filmmakers! Not only will you become an expert in Foley and sound design, you will also improve your overall production quality of all your VIDEO productions. Does your movie feel slow? Improve your Movie’s pace through sound design. I show you how I used SOUND DESIGN to resurrect a dead studio deal on a movie. You will finally understand what M&E is, and what is needed for distribution deliverables. The class is MOBILE ready for ON-THE-GO. As well as the Udemy 30 day money back simple guarantee, you have my personal promise that you will be delighted in what I will show you. You will kicking yourself that you haven’t started doing these things! Every minute you delay is costing your MOVIE’S FUTURE… Enroll now! Nothing is kept secret – I reveal everything I do as a Foley artist and sound designer. You will have a lifetime access to the course and be updated on NEW lectures.
        starstarstarstarstar_half
        Start making money with your passion! Turn your videography skills into a full-time business! In this in-depth course, Phil Ebiner and Julian Melanson, walk you through seven steps that take you from doing video production work for fun, to landing clients and growing your own business. If you are a beginner videographer or filmmaker, YouTuber or vlogger, looking to successfully earn a living by making videos, this course is made for you! STEP 1: Plan for Success To get going, Julian walks you through getting in the right mindset. He'll break down old paradigms, and shows you a new way of thinking about filmmaking. STEP 2: Shoot Personal Projects Making and sharing your own personal videos is the best way to start your filmmaking career. Phil shares his own personal stories of how creating personal projects propelled him to his first paying clients, and how you can do the same. STEP 3: Develop Your Image To legitimize your personal video production business, a solid demo reel, website, and solid online presence are key to getting your first clients. Julian takes you through all the steps, so by the end of this step you'll have a better online presence and stronger self-image that helps you as a filmmaker. STEP 4: How to Actually Land Clients It's time to get your first paying clients! Phil shows you the ropes - helping you find clients in 4 different way - online, cold calling, through referrals, and in person. STEP 5: Retain Your Clients Getting clients to pay your for a video project is only the first step. Retaining clients is the way to consistent work, and growth as a filmmaker. Julian teaches you how to get consistent work by delivering video products that people love. STEP 6: Business Techniques & Protocol Let's take your business to the next level! Legitimize your business and protect yourself by incorporating. Negotiate prices to get paid what you're actually work. Use contracts to make sure both you and the client are happy. STEP 7: Next Level Communication Skills In this last step of becoming a full-time filmmaker, Julian shows you some high-level t more tools to get and retain clients. READY TO START YOUR FILMMAKING CAREER? Enroll now to get started! WHAT DO YOU GET IN THE COURSE? 3+ hours of premium video lessons Downloadable resources and business templates Premium support from both instructors to answer any questions Feedback on your own video projects, websites, etc. 30-DAY 100% MONEY-BACK GUARANTEE There's no reason to hesitate! Enroll now to see how we can help you take your filmmaking career to the next level!
          starstarstarstarstar_half
          'Film financing: ways to raise funding for your films' offer a list of alternative film fund-raising solutions. I'm a film director, writer and sometimes, a PRODUCER. I joined the film industry in 2012. I have experience in raising funds not just for my own films, but for other films too. I want to share with you some of the ideas I have, some of the methods I use and some of the proven ways other filmmakers, film production companies and film studios have used to raise cash to shoot their movies. This is not a finance-heavy course. It is designed to give you a brief overview and provides you with rich resources in your search for those gold nuggets! Do you need money to shoot a film? Use this course to help you find alternative solutions no matter what your budget size is. What you will learn: - How much it might cost to shoot a film - How to access 'free money' through grants or crowdfunding - Accessing 'soft money' through rebates and tax incentives - Creating co-productions with different nations and pre-sales - Private Equity, funds, hedge funds and slate funding You can do this! It takes time to fund films, it takes patience and most of all, it takes perseverance. Hopefully, this course is another step in your understanding, and in the right direction - the cash direction. #howtoraisemoneyforfilms #filmfinancing #filmproducers #filminvestors #moneyincinema #filmstudiofunds #privateequity #crowdfunding #filmgrants #taxrebates #locationshooting
            starstarstarstarstar_half
            Do you have a short film? Would you like it to be screened internationally and meet other filmmakers from around the globe? In this practical course , you will discover a step by step guide on how to submit your film to film festivals and give it the best chances to be officially selected. You will also learn how to create a film festival strategy , that will help you distribute your film and get maximum exposure. In addition to the festival strategy, you will learn what are the necessary materials every film festival requires and how to prepare them yourself. This includes such practical lessons as creating subtitles , DCP (digital cinema package) for cinema theatres. Here are some more questions you will get answers to: What are the differences between Class A, B or C festivals? Premiere status of a short film, how not to get banned? Online submission platforms and film festival databases? How much should I spend on submissions? What are the common mistakes filmmakers make when submitting their films? The do's and don'ts for submitting your film to festivals. By the end of the course, you'll be ready to launch a film festival tour for your short film , whether it is a documentary, fiction, experimental or animation.
              starstarstarstarstar_half
              I've spent the last 10+ years making videos for brands & artists and there has clearly been a major shift in content being consumed. Everyone used to throw around words like "Professional" and "Commercial". Now it's all about "Viral" "Memes" "Trendy". After seeing the significance of online video, I started a youtube channel and my life was changed in a matter of months. We no longer need big expensive productions to make good videos. What's important is what you put in front of that camera, how you tell your story, understanding what makes stimulating content, and presenting it in a way that'll leave your viewers begging for more.
                starstarstarstar_half star_border
                Welcome to “Video Editing Workflow for Filmmakers”, the only course designed for filmmakers editing their own film. In this exciting course, you will be learning the workflow for how to set up your editing projects, all the things that you will do in a day from importing raw footage all the way to exporting a film for final delivery. By the time you have finished this course you will be light years ahead of other editors who know how to use editing software but feel overwhelmed and anxious while editing because they haven’t yet developed an efficient workflow for the post-production phase of their film. You will learn how to start with an empty timeline and finish with a completed film that you are proud of. Over the years, the role of an editor has evolved . There once was a time when an editor only cut the picture and someone else dealt with the sound. But nowadays, that isn’t the case. An editor has become a one-person band. It is a new reality that has come about partly by the democratization of equipment, faster computers, laptops, smaller cameras, and other technological innovations that allow one person to do a lot more than they could do years ago. This course addresses this new reality. "Video Editing Workflow for Filmmakers" will show you how to organize your footage, do an assembly edit, an offline edit, sound design, and export your film for television, web, or even theatrical release.You will be seeing all these things in real time from start to finish. To get the most out of this course, we invite you to write down the steps that I have outlined in a checklist form. During each stage of post-production, you can refer to these checklists to remember what to do next. This will make things a whole lot easier and prevent you from feeling overwhelmed. One final note: this course is for filmmakers who already feel comfortable working with their editing software of choice. It doesn’t matter if you prefer Final Cut Pro, Avid, or Adobe Premiere. This course runs on the principle that all these pieces of software are tools. Whichever software you prefer, feel free to use it. I designed the ideas presented in this course to work for all them. So thank you for watching “Video Editing Workflow for Filmmakers” and we hope you enjoy the course.
                  starstarstarstar_border star_border
                  Join over 25,000 students learning from our courses! Got a completed film?  Have no idea how to sell it? How do I get my film to distributors? If you’re looking for a standard Hollywood distribution deal, and are based in America, then the best place for you to go is The American Film Market ®.  But the market has it’s own culture that can be overwhelming and difficult to understand.  Luckily, Producer’s Rep Ben Yennie and Author of the First ever book on film markets has your back. Ben’s Book, "The Guerrilla Rep: American Film Market ® Distribution Success on No Budget" is used as a textbook at more than 10 film schools, and is available at bookstores everywhere.  But more than that, he’s repped films ranging from $100,000 dollars to $1 million dollars and he understands what to look for in a deal. --------------------------------------------------------------------------------------------------------------------------------- What people are saying about our courses: "By far, the best director and cinematography course on the Internet." - Nate Carroll "I really enjoyed taking this class. It wasn't just that the subject was interesting to me, but the teacher also made the class intriguing. I would gladly recommend this class to anyone who would be interested." - Leah Ames Very helpful. Adds depth to your understanding and intuitive insights which you surely had if you happened to play with video shooting and editing without doing any learning beforehand. It's enriching. The movie samples are great as the clarify the points. Love it! - Yosi Tsitsu --------------------------------------------------------------------------------------------------------------------------------- No matter how you plan to distribute your film, the relationships you foster are key to finding success. If you're self-distributing, those relationships are the ones you foster through social media and your local communities. If like many filmmakers, you're looking for more traditional distribution then you'll need relationships with distributors and sales agents. If you're an American or International Filmmaker, the best place to foster those relationships is at The American Film Market ® . But AFM® (American Film Marke t ®) is somewhat Mercurial and hard to understand without a veteran guiding you. That's why is happy to bring you a workshop on how to use AFM ® to establish relationships with distributors. --------------------------------------------------------------------------------------------------------------------------------- So what are you waiting for? Whether you are fresh out of film school, a screenwriter who wants to create his/her own content, or just someone who wants to make a feature film this course is for you. Join over 25,000 students that have already taken Indie Film Hustle filmmaking and screenwriting courses. If you've got the dream. If you've got the drive. If you've got the passion - but you're missing the knowledge and experience...this course will help you sell your feature film at AFM® (American Film Market®). Enroll NOW and learn how to sell a low budget feature film at AFM®! Let's get started! American Film Market® and AFM® are registered trademarks of the Independent Film and Television Alliance®. This course, its presenter or any other parties associated with this material are not directly affiliated with nor endorsed by the Independent Film and Television Alliance.
                    starstarstarstarstar_half
                    Envie d'apprendre la vidéo ou d'approfondir ses connaissances pour une meilleure qualité ? Cette formation est LE kit du débutant en vidéo par excellence. Tu vas y apprendre le B.A.B.A que tout vidéaste connaît en l'espace de 2 heures montre en main. Peu importe ton matériel (Smartphone, hybride, reflex, GoPro...) ou ton objectif (chaîne Youtube, mariages, voyages, plaisir personnel, évenementiel...), tu apprendras les grandes lignes, les indispensables de tous les formats et de toutes les caméras. Cette formation est faite pour toi si tu débutes et souhaites avoir la meilleure base pour développer ton propre style et réaliser ta vision ! C'est le raccourci le plus simple si tu veux toutes les clés pour donner automatiquement un rendu professionnel et de qualité à tes vidéos !