star_border star_border star_border star_border star_border
Ludwig van Beethoven’s 9th Symphony premiered in Vienna in 1824, and continues to be one of the most popular symphonies in the repertoire. The monumental symphony’s size and complexity stretches traditional instrumental forms to the breaking point, and its famous choral finale changed our view of orchestral music forever. Harvard’s Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through all four movements of Beethoven’s 9th Symphony, highlighting aspects of symphonic form, describing Beethoven’s composition process, the rehearsals and premiere performance, and the work’s continued relevance today. You will learn the basics of musical form and analysis, the genres and styles used and the circumstances of this symphony’s first performance and subsequent history. Learners in this course need not have any prior musical experience. Additional First Nights Modules: Monteverdi's L'Orfeo and the Birth of Opera Handel’s Messiah and Baroque Oratorio Beethoven's "Ninth Symphony" Berlioz’s Symphonie Fantastique and Program Music in the 19th Century Igor Stravinsky’s The Rite of Spring: Modernism, Ballet, and Riots HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code , which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs. HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more. Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact [email protected] and/or report your experience through the edX contact form .
    star_border star_border star_border star_border star_border
    You will study this course in two parts. The first presents the main political events that set the chronological framework for the course, namely 6th century to the arrival of the Ottomans in the Middle East in the beginning of the 16th century. The second part delves into social and cultural realities of the medieval Middle East. This course was produced at Tel Aviv University by TAU Online - learning innovation center.
      star_border star_border star_border star_border star_border
      This course is an introduction to the making and use of scrolls in the European Middle Ages. The codex, with its portability and instant access to any place in the text, became the dominant container for writing after the 4th century BCE, but scrolls continued to be made. Why and how did the scroll format remain popular and relevant in the age of the codex? This course proposes four main reasons, which account for essentially every kind of scroll that still exists today. We will see and examine in detail a number of beautiful objects, and come to understand the thinking of those who chose the scroll format for their texts. This module features four main units, each of which is based on one of the reasons for scroll-making: Scrolls of indeterminate length Scrolls in long format Ceremonial and archaizing scrolls Portable scrolls Scrolls in the Age of the Book also features a guided tour of an exhibition on Harvard University’s collection of medieval scrolls, held at Houghton Library, Harvard’s special collections library, in Spring 2014. Each scroll featured in the exhibit has been fully digitized by Harvard’s Preservation Services division, and participants will have the opportunity to interact with them in unprecedented fashion using Mirador, a state-of-the-art web application developed by Harvard and Stanford Universities. This is a module in the series The Book: Histories Across Time and Space . HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code , which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs. HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more. Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact [email protected] and/or report your experience through the edX contact form .
        star_border star_border star_border star_border star_border
        In this course, part of the Public Library Management Professional Certificate program, we’ll explore the ongoing infrastructure support that library leaders must facilitate, including: maintenance insurance contract services patron privacy technology budgets policies You’ll learn how these decisions are made to ensure long-term sustainability.
          star_border star_border star_border star_border star_border
          We often think that theology divides us since, we assume, theology is based on the beliefs of particular communities. At the same time, while we’re witnessing significant shifts in the demographics of religious belonging, interest in questions of a theological nature remains high. Humans have long looked to their own experiences for insight into God and God’s ways. This heritage awaits your exploration: writings by Jews, Christians, and Muslims that take up a range of human experiences (friendship, life in society, suffering, pleasure, nature’s relation to us) as theologically productive. We enrich this heritage with modern knowledge--from biology, psychology, philosophy--in viewing the human being as object of theological reflection. In this sense, you’ll discover theology as a scholarly conversation binding together all inquiring minds.
            star_border star_border star_border star_border star_border
            This class engages students in a transdisciplinary conversation about representations of HIV/AIDS: in science writing, journalism, visual art, literature, drama, and popular culture. We believe that scientists and cultural critics can learn valuable lessons from one another, even as they create their own responses to HIV/AIDS. Today, over 30 years since the first scientific reports of HIV/AIDS, the pandemic remains a major health concern throughout the world. But, rays of hope have led to speculation that an AIDS-free generation may be possible. In such a timely moment, it is essential for us to connect across the "two cultures" as we consider the social and scientific implications of HIV/AIDS. Courses offered via edX.org are not eligible for academic credit from Davidson College. A passing score in a DavidsonX course(s) will only be eligible for a verified certificate generated by edX.org.
              star_border star_border star_border star_border star_border
              Have you ever wondered about how museum, library, and other kinds of historical or scientific collections all come together? Or how and why curators, historians, archivists, and preservationists do what they do? In Tangible Things , you will discover how material objects have shaped academic disciplines and reinforced or challenged boundaries between people. This course will draw on some of the most fascinating items housed at Harvard University, highlighting several to give you a sense of the power of learning through tangible things. By “stepping onto” the storied campus, you and your fellow learners can explore Harvard’s astonishing array of tangible things—books and manuscripts, art works, scientific specimens, ethnographic artifacts, and historical relics of all sorts. The University not only owns a Gutenberg bible, but it also houses in its collections Turkish sun dials, a Chinese crystal ball, a divination basket from Angola, and nineteenth-century “spirit writing” chalked on a child-sized slate. Tucked away in storage cabinets or hidden in closets and the backrooms of its museums and libraries are Henry David Thoreau’s pencil, a life mask of Abraham Lincoln, and chemicals captured from a Confederate ship. The Art Museums not only care for masterpieces of Renaissance painting but also for a silver-encrusted cup made from a coconut. The Natural History Museum not only preserves dinosaur bones and a fish robot but an intact Mexican tortilla more than a century old. In the first section of the course, we will consider how a statue, a fish, and a gingham gown have contributed to Harvard’s history, and you will learn the value of stopping to look at the things around you. In the next section, we will explore some of the ways people have brought things together into purposeful collections to preserve memory, promote commerce, and define culture. Finally, we will consider methods of rearranging objects to create new ways of thinking about nature, time, and ordinary work. Along the way, you will discover new ways of looking at, organizing, and interpreting tangible things in your own environment. HarvardX requires individuals who enroll in its courses on edX to abide by the terms of the edX honor code. HarvardX will take appropriate corrective action in response to violations of the edX honor code , which may include dismissal from the HarvardX course; revocation of any certificates received for the HarvardX course; or other remedies as circumstances warrant. No refunds will be issued in the case of corrective action for such violations. Enrollees who are taking HarvardX courses as part of another program will also be governed by the academic policies of those programs. HarvardX pursues the science of learning. By registering as an online learner in an HX course, you will also participate in research about learning. Read our research statement to learn more. Harvard University and HarvardX are committed to maintaining a safe and healthy educational and work environment in which no member of the community is excluded from participation in, denied the benefits of, or subjected to discrimination or harassment in our program. All members of the HarvardX community are expected to abide by Harvard policies on nondiscrimination, including sexual harassment, and the edX Terms of Service. If you have any questions or concerns, please contact [email protected] and/or report your experience through the edX contact form .
                star_border star_border star_border star_border star_border
                This course, part of the Public Library Management Professional Certificate program, explores strategies for developing effective grant proposals and for engaging the community in crowdfunding campaigns. In this course, you will mock up a crowdfunding campaign and create a grant proposal for a local or state-level funding source.
                  star_border star_border star_border star_border star_border
                  The last century ushered in significant progress. Philosophers, scientists, artists, and poets overthrew our understanding of the physical world, of human behavior, of thought and its limits, and of art, creativity, and beauty. Scientific progress improved the way we lived across the world. Yet the last century also brought increased levels of war, tyranny, and genocide. Man pushed boundaries of good and evil, right and wrong, justice and injustice – and people lost faith in values. Now, thinkers and leaders are reconstructing theories of value and creating institutions to embody them. Join this thought-provoking, broad-sweeping course as it draws intriguing connections between philosophy, art, literature, and history, illuminating our world and our place in it. Before your course starts, try the new edX Demo where you can explore the fun, interactive learning environment and virtual labs. Learn more.
                    star_border star_border star_border star_border star_border
                    In this course, part of the Public Library Management Professional Certificate program, we’ll explore the nuts and bolts of creating a strategic plan by reviewing and reflecting on the strategic plans of a variety of library types. Strategic planning is a strategy for setting an organization’s goals, vision, and desired future. You’ll learn how library leaders, in partnership with trustees, library boards, and/or municipal leadership, use strategic planning to set long-term goals as well as identify the necessary funding priorities, staffing needs, and other elements needed for success. You’ll also learn how an effective strategic plan is more than mere paperwork: it is an ongoing planning, action, and reflection process that can engage all stakeholders in a common set of expectations and action steps for the future.